‘Five-a-Day Friends’ short-listed for the NAWG Annual Writing Competition 2011

I’m chuffed to announce that my short story ‘Five-a-Day Friends’ has been short-listed for this year’s NAWG (National Association of Writers’ Groups) Annual Writing Competition in the ‘Final Line Category’. The winner will be announced during an award ceremony held at the Gala Dinner on Saturday 3rd September during the NAWG Annual Festival weekend. This year’s festival is being held at Nottingham University (2nd-4th September).

For those of you who came along to my reading at the Bolton Octagon theatre, yes this is the one with the pumpkin! The story has also been through the Manchester Speculative Fiction group–thanks you lot!

I’m really pleased to have been short-listed because this is one of my not-really-speculative-fiction stories, though it’s still a bit on the weird side. Good luck to the other short-listed authors!

Writing Dialogue

Yeah, I know you’ve heard it all before: dialogue “makes yours characters come alive!” and whilst I happen to agree with that statement, I think throwing around writing advice like that is about as useful as spitting out random Nietzsche quotes. Without context, it’s meaningless.

So let me get started by stating quite clearly . . .

I am not an expert in writing dialogue.

There, disclaimer done. But I reckon I know a few cheap tricks. Whether this makes me a good writer or just a bit of a conman, I don’t know but it works for me. So here we go with 10 cheap dialogue tricks . . .

Continue reading “Writing Dialogue”

What a week…

Last Friday I swapped contracts with Murky Depths for my short story ‘Whisperer’ which will appear in their November issue (#18). Now I feel like a proper writer! I’m still very excited about appearing in Murky Depths because it’s such a gorgeous looking magazine (and it’s British!). You can still buy a copy of their latest  issue (#16) for just £6.99 and I can guarantee you won’t be disappointed…titillated maybe, but not disappointed. 😉

Monday I received an email from Daily Science Fiction with the offer that they would like to publish my short story ‘Silver Sixpence’. This is my first sale to a professional market! ‘Silver Sixpence’ is a hard/mundane science-fiction story featuring some solid Einsteinian physics.

There was a fair amount of research involved in this story – perhaps my favourite was reading various Space Shuttle launch transcripts.

Wednesday I read my short story ‘Five-A-Day Friends’ at the Bolton Octagon theatre as part of their Creative Writing Showcase. It was a very strange experience standing on a stage in the bright lights, but it was great fun! Great work by Jenny Martin, Adam Martin, Tatiana Koutsokoumni, Joanne Powell and Laurette Evans for organising the event (apologies if I missed anyone off that list).

I’m looking forward to attending (and perhaps reading at) more of these events in future.

Last night (Thursday) I read my flash-fiction story ‘Metagurneypunk’ at the Flash Mob Writing Competition at the Dulcimer in Chorlton. What a fantastic evening! I finally got to meet some of the people I’ve been stalking on Twitter and Facebook. The networks are still rumbling with the aftershocks. Congratulations to the extremely worthy winners and here’s hoping for a repeat of the event in the future. I’ve heard a rumour that a podcast should be available at some point – I’ll post again when it’s available. The eBook should be available soon.

 

A loud round of applause to the organisers: Sarah-Clare ConlonDave HartleyTom MasonFat Roland and Benjamin Judge. I particularly enjoyed the exquisite corpses – there’s an online version here if you didn’t get enough last night.

Readings: May 2011

Next week I’ll be out and about reading my work at two different venues on two consecutive nights. At this rate I’m going to need an agent! Well, maybe not.

On Wednesday 25th May I’ll be reading Five-A-Day Friends at the Bolton Octagon theatre. Yes, for those of you familiar with this story, this is the one with the pumpkin! 🙂

The event is being run by Bolton University as part of their Creative Showcase featuring two evenings of poetry and prose. The event will take place during the evenings of the 25th and 26th May (that’s next Wednesday and Thursday) running from 7.30pm to around 9.30pm. You can come along to watch and listen for just £1. What a bargain, just a quid to see us all squirm in terror!

Tickets will be available on the door or you can pre-order by phoning the theatre (01204 520661). I heard yesterday that they’ve already shifted fifty tickets – eek! fifty! (squeaky bum) – so it might be worth phoning if you want to guarantee your seat.

On Thursday 26th May I’ll be reading Metagurneypunk at the Dulcimer in Chorlton for the final of the Flash Mob Writing Competition. This is a competition being run as part of the Chorlton Arts Festival 2011. Yes, I was one of the lucky twelve to be short-listed – I’m still extremely giddy about it!

All twelve short-listed pieces should be read out during the evening – several of them by the authors themselves. If you can’t come along then you can listen to the live broadcast on Chortlon FM or wait for a copy of the eBook from Seabrooke Associates which will feature all twelve pieces of work.

If you’re able to come along to either event then please feel free to grab me and say hi. I’ll see you there!

So that was Eastercon…

I survived Eastercon! Actually, it’s still running even as I post this. It was fun, it was geeky; it was actually a lot less daft and a lot more cerebral than I expected.

During the weekend I attended a writers workshop run by the T-Party Writing Group who supplied what I would describe as a ‘very thorough critique’ of our work (there were three other writers in my group). I saw some extremely sweaty brows! Luckily I seem to have acquired some pain-resistant scar tissue from the Manchester Spec Fic group – and I even volunteered to go first. This was great because I hate weak critiques. Yes, there’s That Word again ‘hate’.

I also attended several panel discussions including ‘Is Facebook evil?’ and ‘SF catnip’ and ‘Is SF winning the culture war?’ I also dropped in to say ‘hi’ to Terry from Murky Depths. Will I be back next year? Well, probably not, but only because I heard someone say it’s down in London. Though I still want to go to that fancy dress ball…

There is one teeny tiny thing that’s bothering me though and it’s the whole literary-versus-SF thing. As I mentioned above, I attended a panel discussion on ‘Is SF winning the culture war?’…

Yep, that’s Jon Courtenay Grimwood. This was a discussion about why there is a lack of recognition in the literary world regards the science fiction genre. Wow! A war? Apparently so. If you listen very carefully, you can hear the distinct sound of bullets pinging off cranially-mounted propellers and the swish of katana blades cutting through long scruffy beards. This is serious stuff.

Hmm. I have a bit of an issue with this. I’m not convinced.

Jon CG made a rather good point, right at the start, that if this is a war about money – i.e. who sells the most – then SF has already won. Because the literary markets make diddly compared to the insatiable appetite of the genre markets. Especially if you look at US sales. But, undeterred that the debate might have been wrapped up just a few minutes into the hour-and-a-half slot, the discussion continued. It boils down to this: ‘SF titles aren’t being listed for prizes such as the Man Booker and the Pulitzer and that’s not fair!’ The argument continued about how snobby literary people are and how SF might become watered down if everyone starts writing it.

Hmm. I put my hand up. I know I probably shouldn’t have done, and I know it’s completely out of character for me to voice my opinion, but I thought…well just this once. I said:

“It seems to me that the SF community actually enjoys the fight rather more than the prospect of winning the war. Because if we do win, we think everyone will be writing SF, watering it down and ruining the genre. Isn’t that, well, a bit jealous and guarded? Possibly just as snobby as the literary lot?”

Lots of people nodded enthusiastically. Some of them seemed to glare a bit. Ah well. The debate continued.

I can think of plenty of ‘literary’ authors who have written SF or borderline SF. I can think of a couple off the top of my head (Margaret Atwood & Kazuo Ishiguro) and I suspect this bloke I know can probably list a dozen more without even having to think hard. I have an analogous story, and it goes like this:

Once upon a time there was a bully in a school. But this bully didn’t conform to normal stereotypes because had a long scruffy beard, he was actually quite brainy and he liked to read books with Very Big Words. There was also a geek in the school. The geek loved conforming to type, so he liked computer games, comics, role-playing games and books with small words about big busted women with lazors. The bully didn’t let the geek join the book reading club.

The bully and the geek grew up.

The bully got a job. The geek got a job in IT. They both started writing Serious Stuff. One day they met up and the geek said: “You know, I’m still pissed about the whole school book club thing!” The bully said: “Sorry, I don’t remember that.”

I wonder if the SF community is just a little over sensitive about the whole SF versus literary thing. Is there a war at all? Gah! Incoming friendly fire!!

The Last Two Weeks

A couple of weeks ago I woke up to this email from Basement Stories:

“Thanks for sending us ‘Brass Tacks and Black Hats.’ I liked your story, and would like to accept it for publication for Issue #5.”

Basement Stories are a US-based science fiction and fantasy ezine dedicated to “publishing quality character-driven speculative fiction.” As my wife will tell you, I was insanely excited at this, my first paying publication!

I wrote Brass Tacks and Black Hats last year (2010) and it was one of the first stories to do the rounds at the Manchester Speculative Fiction writers’ group. The story starts in Oxford at a certain café and features a very geeky mystery which, well, you’ll have to wait for publication to read the whole thing! There’s blood, custard creams, hacking and a cute girl with ‘that’ t-shirt and a cool pair of shoes.

The great news is that Brass Tacks and Black Hats will be available to read online for free because Basement Stories operate via voluntary donations. You can help magazines like Basement Stories by making a donation. As soon as the story becomes available I’ll blog again with links where you can read it.

Then, two days ago, I received this email from Murky Depths:

“I think it’s good to go. So we’d like to offer you a contract. Let us know if you’d like to proceed.”

This was in response to a rewrite that Murky Depths had asked me to carry out on a short story I had previously sent to them called Whisperer. Murky Depths are a UK-based magazine that is “rocking the speculative fiction world with its confounding mix of art and literature in a graphic-novel-style package.” I actually hopped around the kitchen in excitement!

Whisperer is one of those stories which had a very definite starting point. I know exactly where I was and what I was doing when it was born. I was eating at the Cinnamon restaurant just outside Standish with my wife, my brother-in-law and his girlfriend. The conversation that night became this story – thanks again Laura! This story also did the rounds at the Manchester Speculative Fiction writers’ group and I will be blogging again about how I think writers’ groups are an incredibly valuable resource.

The setting for Whisperer is urban contemporary and features two plain-clothes police officers investigating a suspicious suicide. There is plenty of blood, even a few guns (I think I hear someone shouting “Hurrah!”). The research for this story was extremely hard work. Hats off to Managing Editor Terry Martin at Murky Depths for spotting some lazy research by me and asking for a rewrite. I spent a very busy week trawling websites for police firearms protocol. I even interviewed a friend of mine who is a member of the police force.

Murky Depths issue #18 will be available later this year. I will blog again as soon as it’s available. Meanwhile, why not buy a copy of their current issue? You can buy online – their next issue #16 is now available for pre-order. Also, if you’re in the UK you can pop along to a local stockist (Travelling Man in Leeds, Manchester, Newcastle, York or Forbidden Planet in London, plus plenty more comic shops all over the place!). Murky Depths will also be at Illustrious, this year’s Eastercon – as will I, see you there!

Brass Tacks and Black Hats should be available in Basement Stories issue #5 available in the third quarter of this year. Whisperer should be available in Murky Depths issue #18 available October/November this year. I will blog again as soon as they become available.

Woot!

MadLab

I’ve been intending to write this post for several weeks now. You see every month I attend a writers’ group in Manchester. In fact, I now seem to be running the group although my powers are fairly limited because we operate rather like a democracy (or a republic at least). The group is called ‘Manchester Speculative Fiction’ because our members write science fiction, fantasy and horror (and all the sub-genres in between). We meet twice a month at a funky place called the MadLab.

“MadLab!” I hear you cry. “What is this place?”

Well, maybe you’re not quite as vocal as that but perhaps you should be. Especially if you live anywhere near Manchester, because this is what the blurb has to say . . .

“Madlab is a community space for people who want to do and make interesting stuff – a place for geeks, artists, designers, illustrators, hackers, tinkerers, innovators and idle dreamers; an autonomous R&D laboratory and a release valve for Manchester’s creative communities.”

MadLab is a voluntary organisation. They hire a three-storey building at 36-40 Edge Street, Manchester (Northern Quarter for you locals). They offer out space to creative folks who need some space to meet or potter about in.

As writers we meet up once a month to chew over our latest writing projects, we critique each other’s work and most months we pop down the pub afterwards to continue the chat.

There are lots of other groups that meet in MadLab, including a graphic novel group, the girl geek tea party, a sci-fi book club, a Linux user group, a jQuery group and lots of others. MadLab also run one-off events: for example, they’re currently running a Kurt Merz Schwitters exhibition (until the end of the month) and next month there will be the Filmonik Kabaret 2011. MadLab have recently started the Omniversity . . .

“Welcome to the Omniversity of Manchester, a programme of professional training courses at the MadLab, lead by some of the sharpest minds and most cutting-edge practitioners around. Rather than roll out the same-old, last year’s practice, full-time trainers, we’ve reached out to our network to bring recognised experts in their field to teach hands-on skills in affordable workshops. These aren’t just interchangeable tutors delivering the same courses; these are the people who started the projects they are teaching, who use these skills professionally on a daily basis.”

There really is something for everyone, whether you’re a techie or an artist or just one of those dreamer types. Or perhaps you’d like to help out? Either way, check out the website, there really is something for everyone.